Nu-metal's masterpieces are open books ripe for study, their triumphs mechanical tattoos on stained notebook paper in plain English. It’s these hard-fought victories that make nu-metal so inspiring. There’s an American Head Charge naming their 2001 magnum opus The War of Art, which, in four words, communicates the nu-metal ethos better than this entire paragraph.Īll of these bands are packed with talent, but no geniuses. There’s a Ross Robinson drawing blood from a stone, hurling objects at his artists to bring out their best. There’s a Fred Durst being appointed Senior Vice President of A&R at Interscope, securing a lucrative fallback plan in case his band’s sophomore album bombs. There’s a Linkin Park obsessively workshopping their songs into pop dominance. There's a Slipknot investing five figures into their own debut album, making their art inextricable from their financial investment. For every Incubus who seemed to come about their music with a jammy effortlessness, there’s a Mudvayne or a Disturbed or a System of a Down, whose frontmen left serious adult careers in their late twenties and early thirties to make a go at rock stardom. Nu-metal is the genre of the uninspired and ungifted. The genre- created when Bakersfield, California 5-piece Korn began drawing passerby into their garage by alchemizing Faith No More and Cypress Hill- is one of axe-to-the-grindstone effort. ![]() All of these artists certainly worked very hard at their craft, but they also seemed to simply shed brilliant, culture-shifting works of art like it was accidental. Ray Charles, Prince, Kurt Cobain, James Brown, Stevie Wonder, Thom Yorke, David Bowie, Kanye West.
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